Questioning representations of the body also concerns the South African choreographer Robyn Orlin. Here, black skin and a white hunchback become an artistic and poetic medium. This choreography, which brings Africa and the West face-to-face, involves bodies that contemporary dance has gradually accepted. In Sans titre, his body communicates with that of the Congolese dancer Faustin Linyekula. His body subverts all the ideals attributed to the dancer's body. Raimund Hoghe, the German choreographer and dancer, has a hunchback. He thinks that “physical handicaps shock people more than violence on stage” and suggests “an appeal for imperfection”. Raimund Hoghe wanted “to throw his body into the struggle”. It is a body ideal found in contemporary dance, but one from which other choreographers have wanted to emancipate themselves. This body also makes reference to Greek statuary it is sculptural and falls within the criteria of “traditional” beauty. It expresses a virile animality which, according to the choreographer, “travels to the interior of a volcano of extreme flesh”. In d’Indicibles Violences, choreographed by Claude Brumachon, the body of the dancers is a virtuosic, sporty, agile body. Annie Suquet, “Le corps dansant, un laboratoire de la perception”, in Histoire du corps – Les mutations du regard, Le XXe siècle, Seuil, 2006, p. It will also look at how the body dances, whether it is an "expert" or an amateur, and the forms of its presence on stage. But it is also the way of showing a body that changes: from complete nudity to the completely hidden or covered body. This thema of “corps dansants” (dancing bodies) provides an opportunity to question the variety of bodies offered by contemporary dance, from the glorious bodies to the “ungainly” bodies, and the greater or lesser visibility of certain bodies. Depending on his style and his aesthetic concerns, he will not use the same bodies or thus the same performers. He seeks to cultivate his awareness of his own body, while the choreographer seeks to draw on the body's different competences. Moreover, the practice, the perception and the experimentation with the body are decisive factors in the work of the contemporary dancer. They want to break away from the established ideals and to question what defines, but also limits, the “dancing body”. We now favour a body that is less constrained, able to engage in multiple experiences.Ĭontemporary choreographers and dancers seek to subvert an overly trained dancing body. This process echoes the transformations in the representations of the body in industrialised societies from the 1960s onwards. It's about encouraging an “exploration of the body as a sensitive and thinking material”. To discover more shorts, click here.One of the issues in contemporary dance consists of seeing, approaching and working with the body differently than in the past. This first premiered at the Norwegian Short Film Festival earlier this year. Magnus, once a promising theatre director who is now trying to get his career back on track, awkwardly navigates the discussion in the wake of MeToo." Exposed, originally known as Eksponert in Norwegian, is directed by Norwegian filmmaker Anna Fredrikke Bjerke - you can see more of her work on her Vimeo or visit her official site or follow her on IG The script is written by Vilde Moberg. Introduction directly from Vimeo: "Ingrid, a young drama student, finds herself in the middle of an increasingly uncomfortable situation, as her ensemble & the play's director discuss whether she should be performing a full-frontal nude scene. Thanks to Vimeo Staff Picks for the tip on this. I'm always happy to feature thought-provoking work like this, to stir up discussion and encourage more critical thinking. Magnus, a once promising theatre director now trying to get his career back on track, awkwardly navigates the discussion in the wake of MeToo. Three weeks into the rehearsal process of her graduation play, Ingrid, a determined, young drama student finds herself in the middle of an increasingly uncomfortable situation: her ensemble and the play's director discuss whether she should be performing a full-frontal nude scene. Exposed is a Norwegian short film from filmmaker Anna Fredrikke Bjerke that intelligently and passionately delves into an important conversation. By being ashamed of your own body you're letting society win." It's vitally important to listen to the experiences of others and open your mind to perspectives that aren't your own.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |